Travel Horror Movies that Make You Want to Stay Home. I’m writing this post from Bratislava, Slovakia. To be honest, I was a little hesitant to come here because the only things I knew about this place come from a few movies: Hostel (Parts 1 and 2) and Eurotrip. Both portrayed this place as an example of a backwards, “evil” Eastern European city. Download free full unlimited movies Action Horror Sex Sexy and more. Welcome to Download City, the ultimate destination for movie fans, where one can download any movie! We're one of the most prominent and the coolest websites on the Internet! In addition, you can also download full movies in a very easy manner, constantly keeps on adding the latest releases to its collection for you to download unlimited DVD movies. Download free full unlimited movies! Download free full unlimited movies! There are millions of movies, videos and TV shows you can download direct to your PC. From Action, Horror, Adventure, Children. In November 2012 Rachel Kusza and her team of film makers travelled to Transylvania to document the Baciu forest. A forest with a dark history of strange occurrences. Horror resents platitude, but the good horror film insists on the humanity that’s inextinguishable even by severe atrocity. Horror Movies 2017 919,628 views. There are millions of movies, videos and TV shows you can download direct to your PC. From Action, Horror, Adventure, Children, Family, Cartoon to Drama, Sex, Sexy, Sci- Fi, Fantasy. Start downloading and burning all your favorite movies for free guaranteed. You will be able to find all and every type of movie here at gamesdownloadcity. Join today and start enjoying the #1 movies download software. There are thousands of full length movies available to instant download! The Best Horror Movies of 2. In fact, 2. 01. 6 was such a good year for horror films that I had a hard time narrowing down my best of the year list to 1. Unfortunately, as with year’s previous, some titles were omitted not because they weren’t awesome, but because I didn’t get to see them (I live in the sticks. Because of that, things like The Autopsy of Jane Doe, The Eyes of My Mother and The Love Witch didn’t make this year’s round- up. Lean, mean, and filled with surprisingly nuanced performances (from the aforementioned Stewart and the gone- too- soon Anton Yelchin), this isn’t your typical genre offering – but few would expect anything less from Saulnier – who’s quickly developing a reputation for stylish and intense revenge films. Green Room isn’t a traditional horror film in that it doesn’t feature ghosts or slasher killers, but Stewart’s band of Neo- Nazi punks are arguably some of the most terrifying screen monsters we saw in the past year. Chris, Haleigh, and Perri take a look at the best horror movies of the decade so far, including Insidious, Sinister, You're Next, and The Conjuring. Hi Scott, Funny enough, I’ve only seen two of these movies (#8- An American Werewolf in London and #10 The Ruins). Guess I’m not into either horror or camping movies. The Shallows. No one’s made a truly classic killer shark film since Spielberg invented the genre with Jaws, but filmmaker Jaume Collett- Serra gave it the old college try with this year’s The Shallows. The ensuing cat- and- mouse game stretches the willing suspension of disbelief, but Collet- Serra keeps the tension high and the shocks coming so you’ll probably not really mind. While certainly one of the more lightweight films on this year’s list, there’s fun to be had here. This guy’s been on the “horror directors to keep an eye on” list for a few years. Hush is one of those deceptively simple horror features – a psychopath menaces a woman who’s isolated and alone. What sets Hush apart is that the woman is deaf, which allows Flanagan to play with traditional genre tropes in a way these kinds of films usually can’t. The result is a tense little chiller that gleefully presents well- worn situations then quickly subverts our expectations. Flanagan doesn’t reinvent this sort of film, but Hush definitely gives the subgenre a facelift. Train to Busan. Just when you thought you could happily live the rest of your life without seeing another zombie movie, director Yeon Sang- ho delivers one of the better walking- dead flicks to emerge in recent years. Train to Busan finds a group of South Koreans trapped on a speeding train when the zombie apocalypse happens. And really, that’s all you need to know about it as far as the plot is concerned. What’s interesting is the setting, which evokes memories of Snowpiercer, and the fact that Yeon actually makes running zombies tolerable. If you haven’t hit full- on zombie fatigue yet, you’ll want to check this one out. The Invitation. An intimate dinner party at a beautiful house in the hills doesn’t sound like the setting for a horror film, but that’s exactly what Karyn Kusama has crafted with her latest offering, The Invitation. This slow burner ratchets up the tension until the final act, wherein everything is finally revealed for exactly what it is. It may not be an overtly horrific film for the majority of its runtime, but it is another prime example of how small, intimate settings can be used to create genuine dread – both for characters and the audience. The Witch. At their best, films can transport us to places or times we could never experience on our own – which is exactly what Robert Eggers has done with his tantalizing period piece, The Witch. Somber, dark, beautifully shot, and legitimately creepy (if you don’t mind the pacing), The Witch is one of the rare horror films that actually lived up to the hype it generated on the festival circuit. While it might be a bit too artsy for those looking for simple blood and guts, adventurous fright fans looking for something different will enjoy this. Ouija: Origin of Evil. If you’d told me a prequel to 2. Ouija would make my best of the year list back in January, I’d have laughed at you – but such is the power of Mike Flanagan. Flanagan’s second entry on the list is arguably the most surprising – if only because expectations seemed so low for this movie going into it. Flanagan yet again finds ways to make familiar tropes seem fresh and interesting. For a studio film, this one is really solid. Baskin. If you held a gun to my head and forced me to pick my favorite horror film of the past year, I’d probably go with Baskin. This nightmarish import from Turkish filmmaker Can Evrenol is creepy, gory, and mind- bending – which is everything I look for in my entertainment. The cinematography is beautiful, the FX work gruesome, the story clever, and Mehmet Cerrahoglu steals the show as the terrifying leader of the cult. Baskin was technically a 2. American audiences didn’t get to see it until this year – which makes it worthy of inclusion on my list. Cloverfield Lane. There’s been a lot of debate about whether 1. Cloverfield Lane – Dan Trachtenberg’s follow up to Cloverfield (at least in name. I’m taking the side that it is, but like The Invitation, it’s not so easily categorized. No matter how you categorize titles like 1. Cloverfield Lane and Green Room, they’re still well worth seeing. The Wailing. Na Hong- jin brings us the second Korean film to make the list, proving that Asia still has a thriving and vibrant horror scene. It’s part police procedural, part family drama, part mystery, and all horror. Things get more personal when his daughter starts exhibiting symptoms.
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